What should scare, fantasy and horror Meister Peter Jackson? Spirit. He's still talking about the spirit of observation was in an apartment in New Zealand 20 years ago, it was so terrible.But this is not't as a filmmaker, known primarily epic"Lord of the Rings"trilogy, wants people to know his new movie,"The Lovely Bones. "
He's hoping that "The Lovely Bones" a film adaptation of Alice Sebold's 2002 bestseller of the murdered 14-year-old girl, leaving people feeling elevate rather than scare.The film is narrated from the perspective of Susie Salmon, he'redress's"Saoirse Ronan, who observes her family cope with her brutal death after it killed.
'Finally we want to feel a kind of positive film. That was very important for us,"Jackson said at a recent press conference.As a result Sebold'S meditative novel to the big screen, Jackson portrays a world between heaven and earth. He said:"I think there is some energy that"SA spirit or soul, or that you want to call what survives after death.
"What It's, as I have no idea. I mean there'SA version of her film, but I can't swear that it was accurate". Jackson - who was deeply affected by Sebold'novel - looking for less drama project after making the"ring trilogy" and"King Kong. "
With long-time employees, Philip Boyens and Fran Walsh, Jackson created a"well-established and convenient"The process of making big budget special effects films, and he tends to assume a new task.
Jackson, 48, is no stranger to portraying the undead. He made a name for himself at an early stage with the zombie-movie"Dead Alive,"and during his career, which lasted more than two decades, he brought with him a variety of evil characters on the big screen in the"ring"movies.
But this time he spends with death and the afterlife in such a way that was encouraged, but not scary or grotesque. Susie'S in the period between the world is a magical, constantly changing places. This is a fantastic full of stunning imagery with shades of ocher cornfields of snow-capped mountains, huge ships in bottles - a reference to a hobby with her father when she was alive.
Jackson said:"We just really tried to make it so very Shifting landscape, which was almost emotionally based, so all Susie'S emotions were at that particular time dictating the kind of in between and how it changes, and shift ."
Jackson successfully brought JRR Tolkien'S book on the big screen -"ring trilogy" earned about $ 3 billion at global box office and won 17 Oscars. Jackson, who wrote scripts for both parts of Hobbit", which is Guillermo del Toro will direct, said that the first script for this project has been completed.
But adaptation Sebold'S novel had its problems. First, he said:"Adaptation always reduced realistically". The process is not science, and"The Lovely Bones"was particularly difficult because it is not structured like a movie and should be restructured to work on the screen.
One of the major decisions, Jackson was to miss the image harrowing act, which is located in the center of the story. The Director said that he chose to do so, because the film is not about crime, but the events that happen after that.
"We Didn'T want to make a film can be defined as the killing of the film. We also Didn'T want a film to be disturbing in such a way,"said Jackson, who said he felt comfortable displaying movies with his 12-year-old daughter.
He's hoping that "The Lovely Bones" a film adaptation of Alice Sebold's 2002 bestseller of the murdered 14-year-old girl, leaving people feeling elevate rather than scare.The film is narrated from the perspective of Susie Salmon, he'redress's"Saoirse Ronan, who observes her family cope with her brutal death after it killed.
'Finally we want to feel a kind of positive film. That was very important for us,"Jackson said at a recent press conference.As a result Sebold'S meditative novel to the big screen, Jackson portrays a world between heaven and earth. He said:"I think there is some energy that"SA spirit or soul, or that you want to call what survives after death.
"What It's, as I have no idea. I mean there'SA version of her film, but I can't swear that it was accurate". Jackson - who was deeply affected by Sebold'novel - looking for less drama project after making the"ring trilogy" and"King Kong. "
With long-time employees, Philip Boyens and Fran Walsh, Jackson created a"well-established and convenient"The process of making big budget special effects films, and he tends to assume a new task.
Jackson, 48, is no stranger to portraying the undead. He made a name for himself at an early stage with the zombie-movie"Dead Alive,"and during his career, which lasted more than two decades, he brought with him a variety of evil characters on the big screen in the"ring"movies.
But this time he spends with death and the afterlife in such a way that was encouraged, but not scary or grotesque. Susie'S in the period between the world is a magical, constantly changing places. This is a fantastic full of stunning imagery with shades of ocher cornfields of snow-capped mountains, huge ships in bottles - a reference to a hobby with her father when she was alive.
Jackson said:"We just really tried to make it so very Shifting landscape, which was almost emotionally based, so all Susie'S emotions were at that particular time dictating the kind of in between and how it changes, and shift ."
Jackson successfully brought JRR Tolkien'S book on the big screen -"ring trilogy" earned about $ 3 billion at global box office and won 17 Oscars. Jackson, who wrote scripts for both parts of Hobbit", which is Guillermo del Toro will direct, said that the first script for this project has been completed.
But adaptation Sebold'S novel had its problems. First, he said:"Adaptation always reduced realistically". The process is not science, and"The Lovely Bones"was particularly difficult because it is not structured like a movie and should be restructured to work on the screen.
One of the major decisions, Jackson was to miss the image harrowing act, which is located in the center of the story. The Director said that he chose to do so, because the film is not about crime, but the events that happen after that.
"We Didn'T want to make a film can be defined as the killing of the film. We also Didn'T want a film to be disturbing in such a way,"said Jackson, who said he felt comfortable displaying movies with his 12-year-old daughter.
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